![]() ![]() In many cases I’ve felt that it’ll turn intakes of air up too loud, though in recent months I think they have improved their handling of that situation. I’ve also had some issues with how it handles breathing. Over a couple years of using Auphonic there’s been one ongoing issue: If your audio file has a lot of background noise, or someone’s softly speaking, it can sometimes turn the audio up way too loud, causing it to sound bad. I find -16 to be a bit too loud for the editing process, and -20 handles breaths better. Though the recommended target loudness for podcasts is -16 LUFS, I set the output for my files to -20 LUFS. The aggressiveness of the noise reduction can be tweaked in the app’s settings. The app lets you set the target loudness and can also apply high pass filtering and noise / hum reduction to give your audio files a bit of a cleaning. You can also run Auphonic on your final edit.Īuphonic says that their app’s balancing algorithm is constantly improving thanks to continuously analyzing new data. I run each of my panelists’ audio files through Auphonic before getting started. This one replaced the now defunct Levelator for Mac in my workflow.Īuphonic’s simple desktop app lets you drag and drop audio files into a window, and with a press of a button they’ll start leveling the audio for you. I have used a few tools in recent years to manage audio leveling, but the one that I am currently happiest with is Auphonic. Too often panelists will be speaking into their microphone like they’re not speaking to a group of people, and it’s bad for the recording. This is a podcast, and while you can’t see the audience in front of you, and you should speak like there’s a need to push your voice into a wide space. Project! You’re not having a secret conversation under the covers with your BFF. ![]() Don’t back away from the microphone, look off to the side, etc when speaking. Remain the same distance from the microphone the entire time.Not only will this help keep your voice level balanced, but it’ll also reduce the amount of echo and background noise. Stay close to the microphone (one or two inches away) at all times.So, keep in mind the following while recording: There are a variety of tools out there to fix issues that you didn’t see coming, but they aren’t perfect substitutes for a great recording studio. The best way to solve audio problems is by preventing them from happening during the recording process. Unbalanced levels will frustrate the listener, and they may decide they shouldn’t listen any longer. Your listeners are in a countless number of settings when they press play: In the house, in the car, outdoors, and gosh knows where else, so it’s important that the audio levels will be balanced and loud enough for playback in an infinite number of settings. There are several ways you can ensure your podcast will be balanced, and some of these methods are as easy as dragging and dropping your audio into an app!įor a longtime editor, podcaster, and podcast listener like myself, listening to a podcast that has unbalanced audio levels is an infuriating experience, particularly when it’s from a big company who should have their act together. One of the most important aspects of mastering a podcast is making sure you have balanced volume levels across your panel of hosts and sound effects. ![]()
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